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    <loc>http://www.lucasironi.net/the-festive-day</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-15</lastmod>
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      <image:title>The festive day - #1007</image:title>
      <image:caption>The festive day A project carried out in 2011. 24 colour photographs, depicting a series of closed shops shutters. Lowered shutters hide what's inside becoming apparently equal to one another. All in line, ordered and anonymous, they surround us but no one look at them, no one remember them, they are invisible. For few hours the city modifies its own face, rhythms bend down. Being the commercial life temporary suspended in the festive day, the town seems to fall asleep. Shopping centers remain by now open all days, festive included, so the shops closed shutters in towns and cities almost seems to admit the defeat of the small-scale retail system, a business model that, in Italy at least, seems to be in agony.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348ea3e4b03c75a8c01b8e/1544894005295/%230107.jpg</image:loc>
      <image:title>The festive day - #1007</image:title>
      <image:caption>The festive day A project carried out in 2011. 24 colour photographs, depicting a series of closed shops shutters. Lowered shutters hide what's inside becoming apparently equal to one another. All in line, ordered and anonymous, they surround us but no one look at them, no one remember them, they are invisible. For few hours the city modifies its own face, rhythms bend down. Being the commercial life temporary suspended in the festive day, the town seems to fall asleep. Shopping centers remain by now open all days, festive included, so the shops closed shutters in towns and cities almost seems to admit the defeat of the small-scale retail system, a business model that, in Italy at least, seems to be in agony.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348ea7e4b05f0346c0ee0f/1413404997239/%230260.jpg</image:loc>
      <image:title>The festive day - #0260</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348eb3e4b03c75a8c01bad/1413405003669/%230352.jpg</image:loc>
      <image:title>The festive day - #0352</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348ec0e4b0a01cde52e847/1413405009560/%230460.jpg</image:loc>
      <image:title>The festive day - #0460</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348eb4e4b05f0346c0ee27/1413405017206/%230388.jpg</image:loc>
      <image:title>The festive day - #0388</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348ec7e4b03c75a8c01bcd/1413405024841/%230511.jpg</image:loc>
      <image:title>The festive day - #0511</image:title>
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      <image:title>The festive day - #0551</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348ed4e4b05f0346c0ee67/1413405038723/%230657.jpg</image:loc>
      <image:title>The festive day - #0657</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348edce4b0a01cde52e883/1413405045630/%230697.jpg</image:loc>
      <image:title>The festive day - #0697</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348ee6e4b03c75a8c01c1f/1413405052725/%230723.jpg</image:loc>
      <image:title>The festive day - #0723</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348ee9e4b0a01cde52e89e/1413405059031/%230818.jpg</image:loc>
      <image:title>The festive day - #0818</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/54348abee4b0100e951cd001/54348ef0e4b05f0346c0ee9f/1413405064953/%230898.jpg</image:loc>
      <image:title>The festive day - #0898</image:title>
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  <url>
    <loc>http://www.lucasironi.net/closed-for-vacations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-15</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/t/5c15361940ec9a9be8bbea17/1544893977260/</image:loc>
      <image:title>Closed for vacations - #1346</image:title>
      <image:caption>Closed for vacations A project realized in 2013. The institutional navigation on Garda lake is active from March to October. During the winter months the ferries sleeps in the shipyards or moored in some port. Also ticket booths, located in major docks on the shores of the lake, remains closed. These booths are small anonymous prefabricated buildings, located nearby the docks, and in summer are visited by thousands of tourists. Then comes the winter. The winter is all a different story. Most of the small towns on the lake are semi-deserts, ghost town. The wind is cold, it gets dark early and the waters appear more sinister. Who works here in August, is now on vacation. The lake is now closed for vacations. In cold weather those abandoned booths work as a kind of catalyst of summer memories, a summer that is no longer there. These buildings appears now sad and lonely, but if we choose to give them time and a little attention, we realize that they tell us things. They speak softly of their loneliness and let us imagine the heat of August, and the lakefront filled with tourists until late at night.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Closed for vacations - #1346</image:title>
      <image:caption>Closed for vacations A project realized in 2013. The institutional navigation on Garda lake is active from March to October. During the winter months the ferries sleeps in the shipyards or moored in some port. Also ticket booths, located in major docks on the shores of the lake, remains closed. These booths are small anonymous prefabricated buildings, located nearby the docks, and in summer are visited by thousands of tourists. Then comes the winter. The winter is all a different story. Most of the small towns on the lake are semi-deserts, ghost town. The wind is cold, it gets dark early and the waters appear more sinister. Who works here in August, is now on vacation. The lake is now closed for vacations. In cold weather those abandoned booths work as a kind of catalyst of summer memories, a summer that is no longer there. These buildings appears now sad and lonely, but if we choose to give them time and a little attention, we realize that they tell us things. They speak softly of their loneliness and let us imagine the heat of August, and the lakefront filled with tourists until late at night.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/56ffef0cb6aa607cbb888961/1459613541520/14sironi_%231378.jpg</image:loc>
      <image:title>Closed for vacations - #1378</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/543489fbe4b05299043b0b36/1459612657885/02_IMG_1346.jpg</image:loc>
      <image:title>Closed for vacations - #1511</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a16e4b05299043b0b67/1413404771095/08_IMG_1525.jpg</image:loc>
      <image:title>Closed for vacations - #1525</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/543489fbe4b05f0346c0e403/1459612727929/03_IMG_1378.jpg</image:loc>
      <image:title>Closed for vacations - #1446</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a51e4b05299043b0bed/1459612775809/13_IMG_1578.jpg</image:loc>
      <image:title>Closed for vacations - #1563</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a09e4b05299043b0b4c/1459612818459/06_IMG_1542.jpg</image:loc>
      <image:title>Closed for vacations - #1500</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a58e4b015282b37c026/1459612867217/15_IMG_1328.jpg</image:loc>
      <image:title>Closed for vacations - #1519</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a0ae4b05f0346c0e440/1459612913290/04_IMG_1355.jpg</image:loc>
      <image:title>Closed for vacations - #1429</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a25e4b05299043b0ba0/1459612952571/10_IMG_1465.jpg</image:loc>
      <image:title>Closed for vacations - #1328</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a3be4b015282b37bfec/1459613007201/11_IMG_1446.jpg</image:loc>
      <image:title>Closed for vacations - #1485</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a3be4b05299043b0bca/1459613056602/12_IMG_1563.jpg</image:loc>
      <image:title>Closed for vacations - #1465</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5434896be4b025c6541780d1/54348a4ee4b015282b37c00d/1459613090733/14_IMG_1429.jpg</image:loc>
      <image:title>Closed for vacations - #1578</image:title>
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    </image:image>
  </url>
  <url>
    <loc>http://www.lucasironi.net/cernusco-night-and-day</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-15</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/t/5c1536498a922db9dfae61d0/1544894025262/</image:loc>
      <image:title>Cernusco, night and day - #0114</image:title>
      <image:caption>Cernusco, day and night The project, realized in 2008 for the District of Cernusco sul Naviglio, is composed of 30 pictures: 15 taken by Michele Ravasio, during daytime, and 15 taken by Luca Sironi, during the night. We reasoned out on the different faces that one single place can show, also playing on the opposite. Not only concerning day and night, both on natural and artificial light, but also taking into account the photography tool and support, since the pictures of Ravasio are analogic and black and white and the ones of Sironi are digital and color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/543538e9e4b0fa043212d8eb/1544894025262/01+copia.jpg</image:loc>
      <image:title>Cernusco, night and day - #0114</image:title>
      <image:caption>Cernusco, day and night The project, realized in 2008 for the District of Cernusco sul Naviglio, is composed of 30 pictures: 15 taken by Michele Ravasio, during daytime, and 15 taken by Luca Sironi, during the night. We reasoned out on the different faces that one single place can show, also playing on the opposite. Not only concerning day and night, both on natural and artificial light, but also taking into account the photography tool and support, since the pictures of Ravasio are analogic and black and white and the ones of Sironi are digital and color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/57144fbfab48dea645a932cd/1460948935337/03%2Bcopia.jpg</image:loc>
      <image:title>Cernusco, night and day</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/543538ffe4b0fa043212d91f/1413405081672/09+copia.jpg</image:loc>
      <image:title>Cernusco, night and day - #0199</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/543538d8e4b0c536eb72311a/1413405087269/%234213.jpg</image:loc>
      <image:title>Cernusco, night and day - #0073</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/543538d7e4b01be37fc4d2e2/1413405093852/%234400.jpg</image:loc>
      <image:title>Cernusco, night and day - #0125</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/5435390ee4b01be37fc4d343/1413405100411/14+copia.jpg</image:loc>
      <image:title>Cernusco, night and day - #0207</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/543538e5e4b01be37fc4d2f9/1413405108778/02+copia.jpg</image:loc>
      <image:title>Cernusco, night and day - #0152</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/543538f7e4b01be37fc4d30f/1413405114840/05+copia.jpg</image:loc>
      <image:title>Cernusco, night and day - #0147</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/54353905e4b01be37fc4d333/1413405120824/10+copia.jpg</image:loc>
      <image:title>Cernusco, night and day - #0169</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/57144fb0ab48dea645a93251/1460948921294/%234197.jpg</image:loc>
      <image:title>Cernusco, night and day</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/543538f5e4b0fa043212d900/1413405132824/04+copia.jpg</image:loc>
      <image:title>Cernusco, night and day - #0222</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/543538a3e4b0a01cde53d89a/57144f95ab48dea645a93172/1460948894730/11%2Bcopia.jpg</image:loc>
      <image:title>Cernusco, night and day</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.lucasironi.net/rooms-for-voices</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-15</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/t/5c1535f9c2241bba3e7014c0/1544893945143/</image:loc>
      <image:title>Rooms for voices - #7054</image:title>
      <image:caption>Rooms for voices This project, realized in 2014, consists of 25 photographs. They represent the halls of the Municipal City Council of different towns located in the Province of Milano, Italy. These rooms are created and maintained for the sole purpose of hosting, for one or two days each month, the City Councils, therefore people and words. Those words can be inspired by passion and virtue, but also by vanity, anger, hypocrisy, convenience. A concentrate of what is human. In the Council room the fate of a number of important issues, that directly affect the daily lives of all citizens, are decided. These rooms, when not subject to the pressure of voices and words seem to breathe a sigh of relief. Relieved by the event, those rooms can be emptied of their function, and quietly and calmly ceasing to be just tools and recovering their identity as objects. Nevertheless, in this condition, it is as if each of these rooms could hold the echo of all the words that have inhabited over the years. And it's like all those voices did not ever really leave. - Un lavoro composto da 25 fotografie. Sono rappresentate le sale di Consiglio Comunale di diverse cittadine della Provincia di Milano. Luoghi creati e mantenuti al solo scopo di ospitare, per uno o due giorni ogni mese, i Consigli Comunali, quindi persone e soprattutto parole. Parole dettate da passione e nobiltà, ma anche da vanità, rabbia, ipocrisia, convenienza. Un concentrato di ciò che è umano, in un momento istituzionale, quello del Consiglio, in cui si decidono le sorti di importanti aspetti che riguardano direttamente la vita quotidiana di tutti i cittadini. Queste aule, nel momento in cui non sono soggette alla pressione di voci e parole sembrano tirare un sospiro di sollievo. Liberate dall'evento possono svuotarsi della loro funzione, in silenzio e con calma, smettendo di essere solo strumenti e recuperando la propria identità di oggetti. Ciò nonostante, in questa condizione è come se in ognuna delle sale rimanesse l'eco di tutte le parole che negli anni le hanno abitate. E' come se tutte quelle voci non se ne andassero mai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5436b38fe4b0e1fd29fca625/5436b3cae4b02f08a78cd8cc/1544893945143/01%237054-copia.jpg</image:loc>
      <image:title>Rooms for voices - #7054</image:title>
      <image:caption>Rooms for voices This project, realized in 2014, consists of 25 photographs. They represent the halls of the Municipal City Council of different towns located in the Province of Milano, Italy. These rooms are created and maintained for the sole purpose of hosting, for one or two days each month, the City Councils, therefore people and words. Those words can be inspired by passion and virtue, but also by vanity, anger, hypocrisy, convenience. A concentrate of what is human. In the Council room the fate of a number of important issues, that directly affect the daily lives of all citizens, are decided. These rooms, when not subject to the pressure of voices and words seem to breathe a sigh of relief. Relieved by the event, those rooms can be emptied of their function, and quietly and calmly ceasing to be just tools and recovering their identity as objects. Nevertheless, in this condition, it is as if each of these rooms could hold the echo of all the words that have inhabited over the years. And it's like all those voices did not ever really leave. - Un lavoro composto da 25 fotografie. Sono rappresentate le sale di Consiglio Comunale di diverse cittadine della Provincia di Milano. Luoghi creati e mantenuti al solo scopo di ospitare, per uno o due giorni ogni mese, i Consigli Comunali, quindi persone e soprattutto parole. Parole dettate da passione e nobiltà, ma anche da vanità, rabbia, ipocrisia, convenienza. Un concentrato di ciò che è umano, in un momento istituzionale, quello del Consiglio, in cui si decidono le sorti di importanti aspetti che riguardano direttamente la vita quotidiana di tutti i cittadini. Queste aule, nel momento in cui non sono soggette alla pressione di voci e parole sembrano tirare un sospiro di sollievo. Liberate dall'evento possono svuotarsi della loro funzione, in silenzio e con calma, smettendo di essere solo strumenti e recuperando la propria identità di oggetti. Ciò nonostante, in questa condizione è come se in ognuna delle sale rimanesse l'eco di tutte le parole che negli anni le hanno abitate. E' come se tutte quelle voci non se ne andassero mai.</image:caption>
    </image:image>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5436b38fe4b0e1fd29fca625/5436b3cee4b095d7c3f5a1af/1413404310003/02%236655-copia.jpg</image:loc>
      <image:title>Rooms for voices - #6655</image:title>
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      <image:title>Rooms for voices - #5586</image:title>
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      <image:title>Rooms for voices - #5974</image:title>
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      <image:title>Rooms for voices - #6472</image:title>
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      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/5436b38fe4b0e1fd29fca625/5436b403e4b02f08a78cd96c/1413404412880/08%234092-copia.jpg</image:loc>
      <image:title>Rooms for voices - #4092</image:title>
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      <image:title>Rooms for voices - #4764</image:title>
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      <image:title>Rooms for voices - #4450</image:title>
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      <image:title>Rooms for voices - #5059</image:title>
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      <image:title>Rooms for voices - #5866</image:title>
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      <image:title>Rooms for voices - #6790</image:title>
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      <image:title>Rooms for voices - #6135</image:title>
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      <image:title>Rooms for voices - #6322</image:title>
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      <image:title>Rooms for voices - #5774</image:title>
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      <image:title>Rooms for voices - #7207</image:title>
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      <image:title>Rooms for voices - #6716</image:title>
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      <image:title>Rooms for voices - #4292</image:title>
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      <image:title>Rooms for voices - #3229</image:title>
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      <image:title>Rooms for voices - #4041</image:title>
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      <image:title>Rooms for voices - #4253</image:title>
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      <image:title>Rooms for voices - #4866</image:title>
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      <image:title>Rooms for voices - #6589</image:title>
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      <image:title>Rooms for voices - #6919</image:title>
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  <url>
    <loc>http://www.lucasironi.net/fragments-of-justice</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-15</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/t/5c15359dc2241bba3e7010ad/1544893853295/</image:loc>
      <image:title>Fragments of justice - #9242</image:title>
      <image:caption>Fragments of justice This project, carried out in 2015, consists of a serie of 27 photographs representing the courtrooms of 19 Italian courthouses. The Italian justice system moves slowly, involving every day an impressive number of people. In the courtrooms there's a continuous bustle of judges, prosecutors, lawyers, defendants, witnesses, clerks, journalists and policemen. This crowding is replaced by the typical quiet of the closing hours, when the deserted courtrooms do not seem to forget the speeches and debates: a lawyer's robe thrown over a chair, a folder waiting to be rescued, marginal elements that may in some way bring to mind an idea of what happened during the trials. These are fragments of feelings, perceptible only if we take the time to observe, as external viewers, these areas when they are not used. Suddenly what you know about justice can take shape. Snapshots of particularly relevant court cases can be reminded, cases that captured our imagination over the years. We can find the opportunity to think about the importance and sensitivity of the events that take place here every day, trying to imagine the difficulties of those being judged and the heavy responsibility on those who must judge another human being. Real emotional earthquakes occur in these spaces, transformed every day into a stage on which a routine of tragedies and controversies is held. The austere judges' benches, the ominous looking cages, those crucifixes whose presence today is perhaps difficult to understand, these are some of the features within these environments, as well as the inscription: "La legge è uguale per tutti” (“The law is equal for all"), a kind of mantra, which certainly fulfills a deep need of our consciousness but that should not obscure the reality of things: "tot capita tot sententiae", each sentence depends on the personal attitude and history of each judge, a human being and not an abstract decision-making entity. The human element on the one hand makes imperfect the course of justice, but on the other it may fix, through its flexibility, some very complicated cases. The human element. Uncertain and unpredictable. In contrast to these courtrooms, so rigid and symmetrical that if you look carefully, it seems to have the duty to appear ruthless. The photographs were made in the courthouses of Asti, Bergamo, Brescia, Busto Arsizio, Como, Cremona, Lodi, Mantova, Milano, Modena, Monza, Padova, Parma, Pavia, Reggio Emilia, Rovereto, Trento, Verona and Vicenza. - “Fragments of justice” consiste in una serie di 27 fotografie nelle quali vengono rappresentate le aule di 19 tribunali italiani. La macchina della giustizia italiana si muove lentamente, coinvolgendo ogni giorno un numero impressionante di persone. Nei locali dedicati ai procedimenti si assiste ad un via vai di giudici, pubblici ministeri, avvocati, imputati, testimoni, cancellieri, giornalisti, carabinieri. A questo affollamento si alterna la quiete tipica degli orari di chiusura, durante cui le aule deserte non sembrano tuttavia scordarsi di arringhe e dibattimenti: una toga buttata su una poltrona, una cartella in attesa di essere recuperata, elementi marginali i quali possono in qualche modo portare alla mente il ricordo di ciò che avviene durante le udienze. Si tratta di frammenti di sensazioni, percepibili solo se ci si prende il giusto tempo per osservare da spettatori esterni questi spazi nei momenti in cui non sono utilizzati. All'improvviso ciò che si conosce può prendere forma. Possono tornare alla mente istantanee di casi giudiziari particolarmente rilevanti, i quali nel corso degli anni hanno colpito la nostra immaginazione. Si può trovare l'opportunità di ragionare sull'importanza e la delicatezza delle vicende che qui si svolgono quotidianamente provando ad immaginare le difficoltà di chi viene giudicato e la pesante responsabilità gravante su chi deve giudicare. Veri e propri terremoti emotivi avvengono in questi luoghi che, resistendo nella loro missione, si trasformano ogni volta in palcoscenici, sui quali si svolge una routine fatta di tragedie e controversie. Gli scranni e i banconi austeri, i gabbioni dall'aspetto inquietante, quei crocifissi la cui presenza oggi è forse difficile da comprendere; sono alcuni degli elementi caratterizzanti all'interno di questi ambienti, così come quella scritta: “La legge è uguale per tutti”, una sorta di mantra, il quale certamente soddisfa un'esigenza profonda della nostra coscienza ma che non deve far dimenticare la realtà delle cose: ”tot capita tot sententiae”, ciascuna sentenza dipende dall'attitudine e dalla storia di ciascun giudice, pur sempre un essere umano e non un astratto organo decisionale. L'elemento umano da un lato rende imperfetta l'azione della giustizia, ma dall'altro consente di risolvere, attraverso la propria flessibilità, casi anche molto complicati. L'elemento umano. Aleatorio ed imprevedibile. Al contrario di queste aule così rigide e simmetriche che, se osservate con attenzione, sembra abbiano il dovere di apparire spietate. Le fotografie sono state realizzate nei tribunali di: Asti, Bergamo, Brescia, Busto Arsizio, Como, Cremona, Lodi, Mantova, Milano, Modena, Monza, Padova, Parma, Pavia, Reggio Emilia, Rovereto, Trento, Verona e Vicenza.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/56d48b74ab48de64ed4dfe6a/56d49a3db654f96f8828b186/1544893853295/01_milano_9242_1000.jpg</image:loc>
      <image:title>Fragments of justice - #9242</image:title>
      <image:caption>Fragments of justice This project, carried out in 2015, consists of a serie of 27 photographs representing the courtrooms of 19 Italian courthouses. The Italian justice system moves slowly, involving every day an impressive number of people. In the courtrooms there's a continuous bustle of judges, prosecutors, lawyers, defendants, witnesses, clerks, journalists and policemen. This crowding is replaced by the typical quiet of the closing hours, when the deserted courtrooms do not seem to forget the speeches and debates: a lawyer's robe thrown over a chair, a folder waiting to be rescued, marginal elements that may in some way bring to mind an idea of what happened during the trials. These are fragments of feelings, perceptible only if we take the time to observe, as external viewers, these areas when they are not used. Suddenly what you know about justice can take shape. Snapshots of particularly relevant court cases can be reminded, cases that captured our imagination over the years. We can find the opportunity to think about the importance and sensitivity of the events that take place here every day, trying to imagine the difficulties of those being judged and the heavy responsibility on those who must judge another human being. Real emotional earthquakes occur in these spaces, transformed every day into a stage on which a routine of tragedies and controversies is held. The austere judges' benches, the ominous looking cages, those crucifixes whose presence today is perhaps difficult to understand, these are some of the features within these environments, as well as the inscription: "La legge è uguale per tutti” (“The law is equal for all"), a kind of mantra, which certainly fulfills a deep need of our consciousness but that should not obscure the reality of things: "tot capita tot sententiae", each sentence depends on the personal attitude and history of each judge, a human being and not an abstract decision-making entity. The human element on the one hand makes imperfect the course of justice, but on the other it may fix, through its flexibility, some very complicated cases. The human element. Uncertain and unpredictable. In contrast to these courtrooms, so rigid and symmetrical that if you look carefully, it seems to have the duty to appear ruthless. The photographs were made in the courthouses of Asti, Bergamo, Brescia, Busto Arsizio, Como, Cremona, Lodi, Mantova, Milano, Modena, Monza, Padova, Parma, Pavia, Reggio Emilia, Rovereto, Trento, Verona and Vicenza. - “Fragments of justice” consiste in una serie di 27 fotografie nelle quali vengono rappresentate le aule di 19 tribunali italiani. La macchina della giustizia italiana si muove lentamente, coinvolgendo ogni giorno un numero impressionante di persone. Nei locali dedicati ai procedimenti si assiste ad un via vai di giudici, pubblici ministeri, avvocati, imputati, testimoni, cancellieri, giornalisti, carabinieri. A questo affollamento si alterna la quiete tipica degli orari di chiusura, durante cui le aule deserte non sembrano tuttavia scordarsi di arringhe e dibattimenti: una toga buttata su una poltrona, una cartella in attesa di essere recuperata, elementi marginali i quali possono in qualche modo portare alla mente il ricordo di ciò che avviene durante le udienze. Si tratta di frammenti di sensazioni, percepibili solo se ci si prende il giusto tempo per osservare da spettatori esterni questi spazi nei momenti in cui non sono utilizzati. All'improvviso ciò che si conosce può prendere forma. Possono tornare alla mente istantanee di casi giudiziari particolarmente rilevanti, i quali nel corso degli anni hanno colpito la nostra immaginazione. Si può trovare l'opportunità di ragionare sull'importanza e la delicatezza delle vicende che qui si svolgono quotidianamente provando ad immaginare le difficoltà di chi viene giudicato e la pesante responsabilità gravante su chi deve giudicare. Veri e propri terremoti emotivi avvengono in questi luoghi che, resistendo nella loro missione, si trasformano ogni volta in palcoscenici, sui quali si svolge una routine fatta di tragedie e controversie. Gli scranni e i banconi austeri, i gabbioni dall'aspetto inquietante, quei crocifissi la cui presenza oggi è forse difficile da comprendere; sono alcuni degli elementi caratterizzanti all'interno di questi ambienti, così come quella scritta: “La legge è uguale per tutti”, una sorta di mantra, il quale certamente soddisfa un'esigenza profonda della nostra coscienza ma che non deve far dimenticare la realtà delle cose: ”tot capita tot sententiae”, ciascuna sentenza dipende dall'attitudine e dalla storia di ciascun giudice, pur sempre un essere umano e non un astratto organo decisionale. L'elemento umano da un lato rende imperfetta l'azione della giustizia, ma dall'altro consente di risolvere, attraverso la propria flessibilità, casi anche molto complicati. L'elemento umano. Aleatorio ed imprevedibile. Al contrario di queste aule così rigide e simmetriche che, se osservate con attenzione, sembra abbiano il dovere di apparire spietate. Le fotografie sono state realizzate nei tribunali di: Asti, Bergamo, Brescia, Busto Arsizio, Como, Cremona, Lodi, Mantova, Milano, Modena, Monza, Padova, Parma, Pavia, Reggio Emilia, Rovereto, Trento, Verona e Vicenza.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/56d48b74ab48de64ed4dfe6a/56d48ba1c2ea510f1755c76a/1456787128607/02_brescia_8802_1000.jpg</image:loc>
      <image:title>Fragments of justice - #8802</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/56d48b74ab48de64ed4dfe6a/56d48b8dc2ea510f1755c6a7/1456773616913/01_milano_9242_1000.jpg</image:loc>
      <image:title>Fragments of justice</image:title>
      <image:caption>“Fragments of justice” consiste in una serie di 30 fotografie nelle quali vengono rappresentate le aule di 19 tribunali italiani. La macchina della giustizia italiana si muove lentamente, coinvolgendo ogni giorno un numero impressionante di persone. Nei locali dedicati ai procedimenti si assiste ad un via vai di giudici, pubblici ministeri, avvocati, imputati, testimoni, cancellieri, giornalisti, carabinieri. A questo affollamento si alterna la quiete tipica degli orari di chiusura, durante cui le aule deserte non sembrano tuttavia scordarsi di arringhe e dibattimenti: una toga buttata su una poltrona, una cartella in attesa di essere recuperata, elementi marginali i quali possono in qualche modo portare alla mente il ricordo di ciò che avviene durante le udienze. Si tratta di frammenti di sensazioni, percepibili solo se ci si prende il giusto tempo per osservare da spettatori esterni questi spazi nei momenti in cui non sono utilizzati. All'improvviso ciò che si conosce può prendere forma. Possono tornare alla mente istantanee di casi giudiziari particolarmente rilevanti, i quali nel corso degli anni hanno colpito la nostra immaginazione. Si può trovare l'opportunità di ragionare sull'importanza e la delicatezza delle vicende che qui si svolgono quotidianamente provando ad immaginare le difficoltà di chi viene giudicato e la pesante responsabilità gravante su chi deve giudicare. Veri e propri terremoti emotivi avvengono in questi luoghi che, resistendo nella loro missione, si trasformano ogni volta in palcoscenici, sui quali si svolge una routine fatta di tragedie e controversie. Gli scranni e i banconi austeri, i gabbioni dall'aspetto inquietante, quei crocifissi la cui presenza oggi è forse difficile da comprendere; sono alcuni degli elementi caratterizzanti all'interno di questi ambienti, così come quella scritta: “La legge è uguale per tutti”, una sorta di mantra, il quale certamente soddisfa un'esigenza profonda della nostra coscienza ma che non deve far dimenticare la realtà delle cose: ”tot capita tot sententiae”, ciascuna sentenza dipende dall'attitudine e dalla storia di ciascun giudice, pur sempre un essere umano e non un astratto organo decisionale. L'elemento umano da un lato rende imperfetta l'azione della giustizia, ma dall'altro consente di risolvere, attraverso la propria flessibilità, casi anche molto complicati. L'elemento umano. Aleatorio ed imprevedibile. Al contrario di queste aule così rigide e simmetriche che, se osservate con attenzione, sembra abbiano il dovere di apparire spietate.   Le fotografie sono state realizzate nei tribunali di: Brescia, Vicenza, Reggio Emilia, Milano, Padova, Modena, Busto Arsizio, Verona, Trento, Como, Asti, Bergamo, Lodi, Pavia, Rovereto, Monza, Mantova, Cremona, Parma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/56d48b74ab48de64ed4dfe6a/56d49ac9c2ea510f17565afd/1456787128637/03_padova_8466_1000.jpg</image:loc>
      <image:title>Fragments of justice - #8466</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/56d48b74ab48de64ed4dfe6a/56d48bccc2ea510f1755c949/1456787129083/04_busto_7652_1000.jpg</image:loc>
      <image:title>Fragments of justice - #7652</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/56d48b74ab48de64ed4dfe6a/56d4953159827ec2fa1271d2/1456787129162/16_bergamo_7744_1000.jpg</image:loc>
      <image:title>Fragments of justice - #7744</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/56d48b74ab48de64ed4dfe6a/56d495252b8ddea29eb0fd25/1456787129187/15_padova_8477_1000.jpg</image:loc>
      <image:title>Fragments of justice - #8477</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5431c073e4b00b8822bd4594/56d48b74ab48de64ed4dfe6a/56d494d32b8ddea29eb0fa5e/1456787129182/09_padova_9318_1000.jpg</image:loc>
      <image:title>Fragments of justice - #9318</image:title>
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      <image:caption>#9242   From the serie "Fragments of justice" (2015)</image:caption>
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      <image:caption>#7570   From the serie "Fragments of justice" (2015)</image:caption>
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      <image:caption>#7054   From the serie "Rooms for voices" (2014)</image:caption>
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      <image:caption>#6655   From the serie "Rooms for voices" (2014)</image:caption>
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      <image:caption>#1511   From the serie "Closed for vacations" (2013)</image:caption>
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      <image:caption>#0260   From the serie "The festive day" (2011)</image:caption>
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      <image:caption>#0657   From the serie "The festive day" (2011)</image:caption>
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      <image:caption>#0241   From the serie "Cernusco day and night" (2008)</image:caption>
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      <image:title>Portfolio for Moma</image:title>
      <image:caption>#0073   From the serie "Cernusco day and night" (2008)</image:caption>
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